Final Cut是苹果推出的一款非线编软件，原生64位软件，基于Cocoa编写，支持多路多核心处理器，支持GPU加速，支持后台渲染，可编辑从标清到4K的各种分辨率视频，ColorSync管理的色彩流水线则可保证全片色彩的一致性。Final Cut Pro X、Motion以及Compressor三款软件可以配合使用，Final Cut类似于Adobe Premier用于剪辑，Motion类似于Adobe After Effects用于特效制作，Compressor用于视频导出转码。
Final Cut Pro X 在视频剪辑方面进行了大规模更新，新的Magnetic Timeline“磁性时间线”可令多条剪辑片段，如磁铁般吸合在一起。同样，剪辑片段能够自动让位，避免剪辑冲突和同步问题。Clip Connections片段相连功能可将B卷、音效和音乐等元素与主要视频片段链接在一起，Compound Clips可将一系列复杂元素规整折叠起来，Auditions则可将多个备选镜头收集到同一位置，循环播放来挑选最佳镜头。Final Cut Pro X为原生64位软件，基于Cocoa编写，支持多路多核心处理器，支持GPU加速，支持后台渲染，可编辑从标清到4K的各种分辨率视频，ColorSync管理的色彩流水线则可保证全片色彩的一致性。Final Cut Pro X的人人素材另一项主要革新是内容自动分析功能，载入视频素材后，系统可在用户进行编辑的过程中，自动在后台对素材进行分析，根据媒体属性标签、摄像机数据、镜头类型，乃至画面中包含的任务数量进行归类整理。
Lynda Final Cut Pro X Guru Online Offline Workflows
Optimize your editing workflow by learning how and when to work with proxies—low resolution copies of your files. Final Cut X is built to intelligently create and handle proxy files, so you can toggle between working with original files and compressed files with ease. In this course, Jeff Greenberg shares why you might want to embrace a proxy workflow by demonstrating the ways it streamlines and improves common post-production steps. Whether your footage is H.264 or ProRes, from a DSLR or from an iPhone, Jeff provides instructions that help you generate manageable media. He starts with a comparison of video resolutions and how it pertains to workflows. Then, he covers how to create proxies and customize your compression presets. He concludes by showing how to switch between online and offline workflows during editing, and how to make a final export. Organizing and archiving are also explored.
