Nuke环境场景VFX视觉特效合成技术视频教程

Nuke环境场景VFX视觉特效合成技术视频教程

本视频教程是关于Nuke环境场景VFX视觉特效合成技术视频教程，时长：8小时07分，大小：5.2 GB，MP4高清视频格式，教程使用软件：NUKE，附源文件，作者：Ludovic Lochem和Nick Marshall，共25个章节，语言：英语。

当今大型电影绝伦的特效，不禁让人要惊叹其合成的逼真与强大！NUKE曾被用在Digital Domain所制作的很多电影和商业片中。NUKE 是由The Foundry公司研发的一数码节点式合成软件。已经过10年的历练，曾获得学院奖（Academy Award）。为艺术家们提供了创造具有高质素的相片效果的图像的方法。NUKE无需专门的硬件平台，但却能为艺术家提供组合和操作扫描的照片，视频板以及计算机生成的图像的灵活、有效、节约和全功能的工具。在数码领域，NUKE已被用于近百部影片和数以百计的商业和音乐电视，NUKE具有先进的将最终视觉效果与电影电视的其余部分无缝结合的能力，无论所需应用的视觉效果是什么风格或者有多复杂。Nuke合成软件参与制作的著名影视有：《后天》、《机械公敌》、《极限特工》、《泰坦尼克号》、《阿波罗13》、《真实的谎言》、《X战警》、《金刚》等。

For this advanced course, profs Ludovic Lochem and Nick Marshall will be working through one of the main reveal shots in the short film The Last Chick, where our female lead finds herself in a deserted Mexico City. In our hero shot, she walks out onto her balcony overlooking the city and as the camera moves past her we see a city void of people. Professors Ludovic Iochem and Nick Marshall will share principles and techniques they use in their jobs as Digital Matte Painter and Environment Artists at Double Negative in London.
The course will start by examining the plate and sketch out a few concepts, and lay out several photos to see how we can fill this empty space to create a nice establishing shot. Then, as soon as the matchmove and camera is ready, we’ll start to bring geometry into the scene to try to setup a nice parallax that will give enough depth and the feeling of realism.
Then, in the second stage, we’ll be doing the actual Digital Matte Painting, and will go through the different techniques to get to the final quality to this digital environment. We’re also are going to see how we need to work in order to give all the latitude to the compositing to address all the comments that could come up from the client.
Finally, we’ll bring everything into NUKE, setup the projections, organize the script, and see how to deliver this 2.5D environment to compositing as we would do in a professional way. By doing this, the final matte painting will be prepped for use in the compositing pipeline, an important step in ensuring an efficient workflow. As this course is about creating high quality matte paintings, the final composite will not be addressed as part of the course and instead the time will be spent concentrating on the environment creation.
Ludovic Iochem is a Digital Matte Painter and Environment Artist, who has acquired his expertise in worldwide studios like Double Negative, Moving Picture Company, RodeoFX, MattePaintingUK and Prime Focus. His credits include big Fantasy movies like Hellboy 2, Prince Of Persia, Franklyn, Stardust, and Dredd, but also some more realistic movies like Bourne Ultimatum, Quantum of Solace, Unknown and The Tree of Life. Now back at Double Negative London, he worked as Lead Matte Painter on Les Miserables and Environment Supervisor for the new Marvel Studio movie Thor: The Dark World.
Nick Marshall is a Digital Matte Painter and Environment Artist who got his start in visual effects working on some small independent releases, before joining Double Negative as a roto and paint artist for films like Scott Pilgrim vs. The World and the final two Harry Potter movies – Harry Potter and the Deathly Hallows Part 1 and 2. He started working as a matte painter on Marvel’s Captain America : The First Avenger, before going on to provide matte paintings for John Carter, Total Recall and Les Miserables. Having just completed Thor : The Dark World as a Lead Matte Painter, he is now beginning work on Gareth Edward’s Godzilla.

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